"Endgame"
- A PLAY IN ONE ACT
- By
- Samuel Beckett
-
-
- Bare interior.
- Grey Light.
- Left and right back, high up, two
small windows, curtains drawn.
- Front right, a door. Hanging near
door, its face to wall, a picture.
- Front left, touching each other,
covered with an old sheet, two ashbins.
- Center, in an armchair on castors,
covered with an old sheet, Hamm.
Motionless by the door, his
eyes fixed on Hamm, Clov. Very red face.
- Brief tableau.
- Clov goes and stands under window
left. Stiff, staggering walk. He looks up at window left. He turns and looks
at window right. He goes and stands under window right. He looks up at window
right. He turns and looks at window left. He goes out, comes back immediately
with a small step-ladder, carries it over and sets it down under window left,
gets up on it, draws back curtain. He gets down, takes six steps (for example)
towards window right, goes back for ladder, carries it over and sets it down
under window right, gets up on it, draws back curtain. He gets down, takes
three steps towards window left, goes back for ladder, carries it over and
sets it down under window left, gets up on it, looks out of window. Brief
laugh. He gets down, takes one step towards window right, goes back for
ladder, carries it over and sets it down under window right, gets up on it,
looks out of window. Brief laugh. He gets down, goes with ladder towards
ashbins, halts, turns, carries back ladder and sets it down under window
right, goes to ashbins, removes sheet covering them, folds it over his arm. He
raises one lid, stoops and looks into bin. Brief laugh. He closes lid. Same
with other bin. He goes to Hamm, removes sheet covering him, folds it over his
arm. In a dressing-gown, a stiff toque on his head, a large blood-stained
handkerchief over his face, a whistle hanging from his neck, a rug over his
knees, thick socks on his feet, Hamm seems to be asleep. Clov looks him over.
Brief laugh. He goes to door, halts, turns towards auditorium.
- CLOV (fixed gaze,
tonelessly):
- Finished, it's finished, nearly
finished, it must be nearly finished.
- (Pause.)
- Grain upon grain, one by one, and one
day, suddenly, there's a heap, a little heap, the impossible heap.
- (Pause.)
- I can't be punished any more.
- (Pause.)
- I'll go now to my kitchen, ten feet by
ten feet by ten feet, and wait for him to whistle me.
- (Pause.)
- Nice dimensions, nice proportions,
I'll lean on the table, and look at the wall, and wait for him to whistle me.
- (He remains a moment motionless,
then goes out. He comes back immediately, goes to window right, takes up the
ladder and carries it out. Pause. Hamm stirs. He yawns under the handkerchief.
He removes the handkerchief from his face. Very red face. Glasses with black
lenses.)
- HAMM:
- Me---
- (he yawns)
- ---to play.
- (He takes off his glasses, wipes
his eyes, his face, the glasses, puts them on again, folds the handkerchief
and puts it back neatly in the breast pocket of his dressing gown. He clears
his throat, joins the tips of his fingers.)
- Can there be misery---
- (he yawns)
- ---loftier than mine? No doubt.
Formerly. But now?
- (Pause.)
- My father?
- (Pause.)
- My mother?
- (Pause.)
- My... dog?
- (Pause.)
- Oh I am willing to believe they suffer
as much as such creatures can suffer. But does that mean their sufferings
equal mine? No doubt.
- (Pause.)
- No, all is a---
- (he yawns)
- ---bsolute,
- (proudly)
- the bigger a man is the fuller he is.
- (Pause. Gloomily.)
- And the emptier.
- (He sniffs.)
- Clov!
- (Pause.)
- No, alone.
- (Pause.)
- What dreams! Those forests!
- (Pause.)
- Enough, it's time it ended, in the
shelter, too.
- (Pause.)
- And yet I hesitate, I hesitate to...
to end. Yes, there it is, it's time it ended and yet I hesitate to---
- (He yawns.)
- ---to end.
- (Yawns.)
- God, I'm tired, I'd be better off in
bed.
- (He whistles. Enter Clov
immediately. He halts beside the chair.)
- You pollute the air!
- (Pause.)
- Get me ready, I'm going to bed.
- CLOV:
- I've just got you up.
- HAMM:
- And what of it?
- CLOV:
- I can't be getting you up and putting
you to bed every five minutes, I have things to do.
- (Pause.)
- HAMM:
- Did you ever see my eyes?
- CLOV:
- No.
- HAMM:
- Did you never have the curiosity,
while I was sleeping, to take off my glasses and look at my eyes?
- CLOV:
- Pulling back the lids?
- (Pause.)
- No.
- HAMM:
- One of these days I'll show them to
you.
- (Pause.)
- It seems they've gone all white.
- (Pause.)
- What time is it?
- CLOV:
- The same as usual.
- HAMM (gesture towards window
right):
- Have you looked?
- CLOV:
- Yes.
- HAMM:
- Well?
- CLOV:
- Zero.
- HAMM:
- It'd need to rain.
- CLOV:
- It won't rain.
- (Pause.)
- HAMM:
- Apart from that, how do you feel?
- CLOV:
- I don't complain.
- HAMM:
- You feel normal?
- CLOV (irritably):
- I tell you I don't complain.
- HAMM:
- I feel a little strange.
- (Pause.)
- Clov!
- CLOV:
- Yes.
- HAMM:
- Have you not had enough?
- CLOV:
- Yes!
- (Pause.)
- Of what?
- HAMM:
- Of this... this... thing.
- CLOV:
- I always had.
- (Pause.)
- Not you?
- HAMM (gloomily):
- Then there's no reason for it to
change.
- CLOV:
- It may end.
- (Pause.)
- All life long the same questions, the
same answers.
- HAMM:
- Get me ready.
- (Clov does not move.)
- Go and get the sheet.
- (Clov does not move.)
- Clov!
- CLOV:
- Yes.
- HAMM:
- I'll give you nothing more to eat.
- CLOV:
- Then we'll die.
- HAMM:
- I'll give you just enough to keep you
from dying. You'll be hungry all the time.
- CLOV:
- Then we won't die.
- (Pause.)
- I'll go and get the sheet.
- (He goes towards the door.)
- HAMM:
- No!
- (Clov halts.)
- I'll give you one biscuit per day.
- (Pause.)
- One and a half.
- (Pause.)
- Why do you stay with me?
- CLOV:
- Why do you keep me?
- HAMM:
- There's no one else.
- CLOV:
- There's nowhere else.
- (Pause.)
- HAMM:
- You're leaving me all the same.
- CLOV:
- I'm trying.
- HAMM:
- You don't love me.
- CLOV:
- No.
- HAMM:
- You loved me once.
- CLOV:
- Once!
- HAMM:
- I've made you suffer too much.
- (Pause.)
- Haven't I?
- CLOV:
- It's not that.
- HAMM:
- I haven't made you suffer too much?
- CLOV:
- Yes!
- HAMM (relieved):
- Ah, you gave me a fright!
- (Pause. Coldly)
- Forgive me.
- (Pause. Louder.)
- I said, Forgive me.
- CLOV:
- I heard you.
- (Pause.)
- Have you bled?
- HAMM:
- Less.
- (Pause.)
- Is it not time for my pain-killer?
- CLOV:
- No.
- (Pause.)
- HAMM:
- How are your eyes?
- CLOV:
- Bad.
- HAMM:
- How are your legs?
- CLOV:
- Bad.
- HAMM:
- But you can move.
- CLOV:
- Yes.
- HAMM (violently):
- Then move!
- (Clov goes to back wall, leans
against it with his forehead and hands.)
- Where are you?
- CLOV:
- Here.
- HAMM:
- Come back!
- (Clov returns to his place beside
the chair.)
- Where are you?
- CLOV:
- Here.
- HAMM:
- Why don't you kill me?
- CLOV:
- I don't know the combination of the
cupboard.
- (Pause.)
- HAMM:
- Go and get two bicycle-wheels.
- CLOV:
- There are no more bicycle-wheels.
- HAMM:
- What have you done with your bicycle?
- CLOV:
- I never had a bicycle.
- HAMM:
- The thing is impossible.
- CLOV:
- When there were still bicycles I wept
to have one. I crawled at your feet. You told me to go to hell. Now there are
none.
- HAMM:
- And your rounds? When you inspected my
paupers. Always on foot?
- CLOV:
- Sometimes on horse.
- (The lid of one of the bins lifts
and the hands of Nagg appear,
- gripping the rim. Then his head
emerges. Nightcap. Very white face.
- Nagg yawns, then listens.)
- I'll leave you, I have things to do.
- HAMM:
- In your kitchen?
- CLOV:
- Yes.
- HAMM:
- Outside of here it's death.
- (Pause.)
- All right, be off.
- (Exit Clov. Pause.)
- We're getting on.
- NAGG:
- Me pap!
- HAMM:
- Accursed progenitor!
- NAGG:
- Me pap!
- HAMM:
- The old folks at home! No decency
left! Guzzle, guzzle, that's all they think of.
- (He whistles. Enter Clov. He halts
beside the chair.)
- Well! I thought you were leaving me.
- CLOV:
- Oh not just yet, not just yet.
- NAGG:
- Me pap!
- HAMM:
- Give him his pap.
- CLOV:
- There's no more pap.
- HAMM (to Nagg):
- Do you hear that? There's no more pap.
You'll never get any more pap.
- NAGG:
- I want me pap!
- HAMM:
- Give him a biscuit.
- (Exit Clov.)
- Accursed fornicator! How are your
stumps?
- NAGG:
- Never mind me stumps.
- (Enter Clov with biscuit.)
- CLOV:
- I'm back again, with the biscuit.
- (He gives biscuit to Nagg who
fingers it, sniffs it.)
- NAGG (plaintively):
- What is it?
- CLOV:
- Spratt's medium.
- NAGG (as before):
- It's hard! I can't!
- HAMM:
- Bottle him!
- (Clov pushes Nagg back into the
bin, closes the lid.)
- CLOV (returning to his place
beside the chair):
- If age but knew!
- HAMM:
- Sit on him!
- CLOV:
- I can't sit.
- HAMM:
- True. And I can't stand.
- CLOV:
- So it is.
- HAMM:
- Every man his specialty.
- (Pause.)
- No phone calls?
- (Pause.)
- Don't we laugh?
- CLOV (after reflection):
- I don't feel like it.
- HAMM (after reflection):
- Nor I.
- (Pause.)
- Clov!
- CLOV:
- Yes.
- HAMM:
- Nature has forgotten us.
- CLOV:
- There's no more nature.
- HAMM:
- No more nature! You exaggerate.
- CLOV:
- In the vicinity.
- HAMM:
- But we breathe, we change! We lose our
hair, our teeth! Our bloom! Our ideals!
- CLOV:
- Then she hasn't forgotten us.
- HAMM:
- But you say there is none.
- CLOV (sadly):
- No one that ever lived ever thought so
crooked as we.
- HAMM:
- We do what we can.
- CLOV:
- We shouldn't.
- (Pause.)
- HAMM:
- You're a bit of all right, aren't you?
- CLOV:
- A smithereen.
- (Pause.)
- HAMM:
- This is slow work.
- (Pause.)
- Is it not time for my pain-killer?
- CLOV:
- No.
- (Pause.)
- I'll leave you, I have things to do.
- HAMM:
- In your kitchen?
- CLOV:
- Yes.
- HAMM:
- What, I'd like to know.
- CLOV:
- I look at the wall.
- HAMM:
- The wall! And what do you see on your
wall? Mene, mene? Naked bodies?
- CLOV:
- I see my light dying.
- HAMM:
- Your light dying! Listen to that!
Well, it can die just as well here, your light. Take a look at me and then
come back and tell me what you think of your light.
- (Pause.)
- CLOV:
- You shouldn't speak to me like that.
- (Pause.)
- HAMM (coldly):
- Forgive me.
- (Pause. Louder.)
- I said, Forgive me.
- CLOV:
- I heard you.
- (The lid of Nagg's bin lifts. His
hands appear, gripping the rim. Then his head emerges. In his mouth the
biscuit. He listens.)
- HAMM:
- Did your seeds come up?
- CLOV:
- No.
- HAMM:
- Did you scratch round them to see if
they had sprouted?
- CLOV:
- They haven't sprouted.
- HAMM:
- Perhaps it's still too early.
- CLOV:
- If they were going to sprout they
would have sprouted.
- (Violently.)
- They'll never sprout!
- (Pause. Nagg takes biscuit in his
hand.)
- HAMM:
- This is not much fun.
- (Pause.)
- But that's always the way at the end
of the day, isn't it, Clov?
- CLOV:
- Always.
- HAMM:
- It's the end of the day like any other
day, isn't it, Clov?
- CLOV:
- Looks like it.
- (Pause.)
- HAMM (anguished):
- What's happening, what's happening?
- CLOV:
- Something is taking its course.
- (Pause.)
- HAMM:
- All right, be off.
- (He leans back in his chair,
remains motionless. Clov does not move, heaves a great groaning sigh. Hamm
sits up.)
- I thought I told you to be off.
- CLOV:
- I'm trying.
- (He goes to the door, halts.)
- Ever since I was whelped.
- (Exit Clov.)
- HAMM:
- We're getting on.
- (He leans back in his chair,
remains motionless. Nagg knocks on the lid of the other bin. Pause. He knocks
harder. The lid lifts and the hands of Nell appear, gripping the rim. Then her
head emerges. Lace cap. Very white face.)
- NELL:
- What is it, my pet?
- (Pause.)
- Time for love?
- NAGG:
- Were you asleep?
- NELL:
- Oh no!
- NAGG:
- Kiss me.
- NELL:
- We can't.
- NAGG:
- Try.
- (Their heads strain towards each
other, fail to meet, fall apart again.)
- NELL:
- Why this farce, day after day?
- (Pause.)
- NAGG:
- I've lost me tooth.
- NELL:
- When?
- NAGG:
- I had it yesterday.
- NELL (elegiac):
- Ah yesterday.
- (They turn painfully towards each
other.)
- NAGG:
- Can you see me?
- NELL:
- Hardly. And you?
- NAGG:
- What?
- NELL:
- Can you see me?
- NAGG:
- Hardly.
- NELL:
- So much the better, so much the
better.
- NAGG:
- Don't say that.
- (Pause.)
- Our sight has failed.
- NELL:
- Yes.
- (Pause. They turn away from each
other.)
- NAGG:
- Can you hear me?
- NELL:
- Yes. And you?
- NAGG:
- Yes.
- (Pause.)
- Our hearing hasn't failed.
- NELL:
- Our what?
- NAGG:
- Our hearing.
- NELL:
- No.
- (Pause.)
- Have you anything else to say to me?
- NAGG:
- Do you remember---
- NELL:
- No.
- NAGG:
- When we crashed on our tandem and lost
our shanks.
- (They laugh heartily.)
- NELL:
- It was in the Ardennes.
- (They laugh less heartily.)
- NAGG:
- On the road to Sedan.
- (They laugh still less
heartily.)
- Are you cold?
- NELL:
- Yes, perished, and you?
- NAGG:
- (Pause.)
- I'm freezing.
- (Pause.)
- Do you want to go in?
- NELL:
- Yes.
- NAGG:
- Then go in.
- (Nell does not move.)
- Why don't you go in?
- NELL:
- I don't know.
- (Pause.)
- NAGG:
- Has he changed your sawdust?
- NELL:
- It isn't sawdust.
- (Pause. Warily.)
- Can you not be a little accurate,
Nagg?
- NAGG:
- Your sand then. It's not important.
- NELL:
- It is important.
- (Pause.)
- NAGG:
- It was sawdust once.
- NELL:
- Once!
- NAGG:
- And now it's sand.
- (Pause.)
- From the shore.
- (Pause. Impatiently.)
- Now it's sand he fetches from the
shore.
- NELL:
- Now it's sand.
- NAGG:
- Has he changed yours?
- NELL:
- No.
- NAGG:
- Nor mine.
- (Pause.)
- I won't have it!
- (Pause. Holding up the
biscuit.)
- Do you want a bit?
- NELL:
- No.
- (Pause.)
- Of what?
- NAGG:
- Biscuit. I've kept you half.
- (He looks at the biscuit.
Proudly.)
- Three quarters. For you. Here.
- (He proffers the biscuit.)
- No?
- (Pause.)
- Do you not feel well?
- HAMM (wearily):
- Quiet, quiet, you're keeping me awake.
- (Pause.)
- Talk softer.
- (Pause.)
- If I could sleep I might make love.
I'd go into the woods. My eyes would see... the sky, the earth. I'd run, run,
they wouldn't catch me.
- (Pause.)
- Nature!
- (Pause.)
- There's something dripping in my head.
- (Pause.)
- A heart, a heart in my head.
- (Pause.)
- NAGG:
- Do you hear him? A heart in his head!
- (He chuckles cautiously.)
- NELL:
- One mustn't laugh at those things,
Nagg. Why must you always laugh at them?
- NAGG:
- Not so loud!
- NELL (without lowering her
voice):
- Nothing is funnier than unhappiness, I
grant you that. But---
- NAGG (shocked):
- Oh!
- NELL:
- Yes, yes, it's the most comical thing
in the world. And we laugh, we laugh, with a will, in the beginning. But it's
always the same thing. Yes, it's like the funny story we have heard too often,
we still find it funny, but we don't laugh any more.
- (Pause.)
- Have you anything else to say to me?
- NAGG:
- No.
- NELL:
- Are you quite sure?
- (Pause.)
- Then I'll leave you.
- NAGG:
- Do you not want your biscuit?
- (Pause.)
- I'll keep it for you.
- (Pause.)
- I thought you were going to leave me.
- NELL:
- I am going to leave you.
- NAGG:
- Could you give me a scratch before you
go?
- NELL:
- No.
- (Pause.)
- Where?
- NAGG:
- In the back.
- NELL:
- No.
- (Pause.)
- Rub yourself against the rim.
- NAGG:
- It's lower down. In the hollow.
- NELL:
- What hollow?
- NAGG:
- The hollow!
- (Pause.)
- Could you not?
- (Pause.)
- Yesterday you scratched me there.
- NELL (elegiac):
- Ah yesterday.
- NAGG:
- Could you not?
- (Pause.)
- Would you like me to scratch you?
- (Pause.)
- Are you crying again?
- NELL:
- I was trying.
- (Pause.)
- HAMM:
- Perhaps it's a little vein.
- (Pause.)
- NAGG:
- What was that he said?
- NELL:
- Perhaps it's a little vein.
- NAGG:
- What does that mean?
- (Pause.)
- That means nothing.
- (Pause.)
- Shall I tell you the story of the
tailor?
- NELL:
- No.
- (Pause.)
- What for?
- NAGG:
- To cheer you up.
- NELL:
- It's not funny.
- NAGG:
- It always made you laugh.
- (Pause.)
- The first time I thought you'd die.
- NELL:
- It was on Lake Como.
- (Pause.)
- One April afternoon.
- (Pause.)
- Can you believe it?
- NAGG:
- What?
- NELL:
- That we once went out rowing on Lake
Como.
- (Pause.)
- One April afternoon.
- NAGG:
- We had got engaged the day before.
- NELL:
- Engaged!
- NAGG:
- You were in such fits that we
capsized. By rights we should have been drowned.
- NELL:
- It was because I felt happy.
- NAGG (indignant):
- It was not, it was not, it was my
STORY and nothing else. Happy! Don't you laugh at it still? Every time I tell
it. Happy!
- NELL:
- It was deep, deep. And you could see
down to the bottom. So white. So clean.
- NAGG:
- Let me tell it again.
- (Raconteur's voice.)
- An Englishman, needing a pair of
striped trousers in a hurry for the New Year festivities, goes to his tailor
who takes his measurements.
- (Tailor's voice.)
- "That's the lot, come back in four
days, I'll have it ready." Good. Four days later.
- (Tailor's voice.)
- "So sorry, come back in a week, I've
made a mess of the seat." Good, that's all right, a neat seat can be very
ticklish. A week later.
- (Tailor's voice.)
- "Frightfully sorry, come back in ten
days, I've made a hash of the crotch." Good, can't be helped, a snug crotch is
always a teaser. Ten days later.
- (Tailor's voice.)
- "Dreadfully sorry, come back in a
fortnight, I've made a balls of the fly." Good, at a pinch, a smart fly is a
stiff proposition.
- (Pause. Normal voice.)
- I never told it worse.
- (Pause. Gloomy.)
- I tell this story worse and worse.
- (Pause. Raconteur's voice.)
- Well, to make it short, the bluebells
are blowing and he ballockses the buttonholes.
- (Customer's voice.)
- "God damn you to hell, Sir, no, it's
indecent, there are limits! In six days, do you hear me, six days, God made
the world. Yes Sir, no less Sir, the WORLD! And you are not bloody well
capable of making me a pair of trousers in three months!"
- (Tailor's voice, scandalized.)
- "But my dear Sir, my dear Sir, look---
- (disdainful gesture,
disgustedly)
- ---at the world---
- (Pause.)
- and look---
- (loving gesture, proudly)
- ---at my TROUSERS!"
- (Pause. He looks at Nell who has
remained impassive, her eyes unseeing. He breaks into a high forced laugh,
cuts it short, pokes his head towards Nell, launches his laugh again.)
- HAMM:
- Silence!
- (Nagg starts, cuts short his
laugh.)
- NELL:
- You could see down to the bottom.
- HAMM (exasperated):
- Have you not finished? Will you never
finish?
- (With sudden fury.)
- Will this never finish?
- (Nagg disappears into his bin,
closes the lid behind him. Nell does not move. Frenziedly.)
- My kingdom for a nightman!
- (He whistles. Enter Clov.)
- Clear away this muck! Chuck it in the
sea!
- (Clov goes to bins, halts.)
- NELL:
- So white.
- HAMM:
- What? What's she blathering about?
- (Clov stoops, takes Nell's hand,
feels her pulse.)
- NELL (to Clov):
- Desert!
- (Clov lets go her hand, pushes her
back in the bin, closes the lid.)
- CLOV (returning to his place
beside the chair):
- She has no pulse.
- HAMM:
- What was she drivelling about?
- CLOV:
- She told me to go away, into the
desert.
- HAMM:
- Damn busybody! Is that all?
- CLOV:
- No.
- HAMM:
- What else?
- CLOV:
- I didn't understand.
- HAMM:
- Have you bottled her?
- CLOV:
- Yes.
- HAMM:
- Are they both bottled?
- CLOV:
- Yes.
- HAMM:
- Screw down the lids.
- (Clov goes towards door.)
- Time enough.
- (Clov halts.)
- My anger subsides, I'd like to pee.
- CLOV (with alacrity):
- I'll go get the catheter.
- (He goes towards door.)
- HAMM:
- Time enough.
- (Clov halts.)
- Give me my pain killer.
- CLOV:
- It's too soon.
- (Pause.)
- It's too soon on top of your tonic, it
wouldn't act.
- HAMM:
- In the morning they brace you up and
in the evening they calm you down. Unless it's the other way round.
- (Pause.)
- That old doctor, he's dead naturally?
- CLOV:
- He wasn't old.
- HAMM:
- But he's dead?
- CLOV:
- Naturally.
- (Pause.)
- You ask me that?
- (Pause.)
- HAMM:
- Take me for a little turn.
- (Clov goes behind the chair and
pushes it forward.)
- Not too fast!
- (Clov pushes chair.)
- Right round the world!
- (Clov pushes chair.)
- Hug the walls, then back to the center
again.
- (Clov pushes chair.)
- I was right in the center, wasn't I?
- CLOV (pushing):
- Yes.
- HAMM:
- We'd need a proper wheel-chair. With
big wheels. Bicycle wheels!
- (Pause.)
- Are you hugging?
- CLOV (pushing):
- Yes.
- HAMM (groping for wall):
- It's a lie! Why do you lie to me?
- CLOV (bearing closer to
wall):
- There! There!
- HAMM:
- Stop!
- (Clov stops chair close to back
wall. Hamm lays his hand against wall.)
- Old wall!
- (Pause.)
- Beyond is the... other hell.
- (Pause. Violently.)
- Closer! Closer! Up against!
- CLOV:
- Take away your hand.
- (Hamm withdraws his hand. Clov rams
chair against wall.)
- There!
- (Hamm leans towards wall, applies
his ear to it.)
- HAMM:
- Do you hear?
- (He strikes the wall with his
knuckles.)
- Do you hear? Hollow bricks!
- (He strikes again.)
- All that's hollow!
- (Pause. He straightens up.
Violently.)
- That's enough. Back!
- CLOV:
- We haven't done the round.
- HAMM:
- Back to my place!
- (Clov pushes chair back to
center.)
- Is that my place?
- CLOV:
- Yes, that's your place.
- HAMM:
- Am I right in the center?
- CLOV:
- I'll measure it.
- HAMM:
- More or less! More or less!
- CLOV (moving chair
slightly):
- There!
- HAMM:
- I'm more or less in the center?
- CLOV:
- I'd say so.
- HAMM:
- You'd say so! Put me right in the
center!
- CLOV:
- I'll go and get the tape.
- HAMM:
- Roughly! Roughly!
- (Clov moves chair slightly.)
- Bang in the center!
- CLOV:
- There!
- (Pause.)
- HAMM:
- I feel a little too far to the left.
- (Clov moves chair slightly.)
- Now I feel a little too far to the
right.
- (Clov moves chair slightly.)
- I feel a little too far forward.
- (Clov moves chair slightly.)
- Now I feel a little too far back.
- (Clov moves chair slightly.)
- Don't stay there.
- (i.e. behind the chair)
- you give me the shivers.
- (Clov returns to his place beside
the chair.)
- CLOV:
- If I could kill him I'd die happy.
- (Pause.)
- HAMM:
- What's the weather like?
- CLOV:
- As usual.
- HAMM:
- Look at the earth.
- CLOV:
- I've looked.
- HAMM:
- With the glass?
- CLOV:
- No need of the glass.
- HAMM:
- Look at it with the glass.
- CLOV:
- I'll go and get the glass.
- (Exit Clov.)
- HAMM:
- No need of the glass!
- (Enter Clov with telescope.)
- CLOV:
- I'm back again, with the glass.
- (He goes to window right, looks up
at it.)
- I need the steps.
- HAMM:
- Why? Have you shrunk?
- (Exit Clov with telescope.)
- I don't like that, I don't like that.
- (Enter Clov with ladder, but
without telescope.)
- CLOV:
- I'm back again, with the steps.
- (He sets down ladder under window
right, gets up on it, realizes he has not the telescope, gets down.)
- I need the glass.
- (He goes towards door.)
- HAMM (violently):
- But you have the glass!
- CLOV (halting,
violently):
- No, I haven't the glass!
- (Exit Clov.)
- HAMM:
- This is deadly.
- (Enter Clov with the telescope. He
goes towards ladder.)
- CLOV:
- Things are livening up.
- (He gets up on ladder, raises the
telescope, lets it fall.)
- I did it on purpose.
- (He gets down, picks up the
telescope, turns it on auditorium.)
- I see... a multitude... in
transports... of joy.
- (Pause. He lowers telescope, looks
at it.)
- That's what I call a magnifier.
- (He turns toward Hamm.)
- Well? Don't we laugh?
- HAMM (after reflection):
- I don't.
- CLOV (after reflection):
- Nor I.
- (He gets up on ladder, turns the
telescope on the without.)
- Let's see.
- (He looks, moving the
telescope.)
- Zero...
- (he looks)
- ...zero...
- (he looks)
- ...and zero.
- HAMM:
- Nothing stirs. All is---
- CLOV:
- Zer---
- HAMM (violently):
- Wait till you're spoken to!
- (Normal voice.)
- All is... all is... all is what?
- (Violently.)
- All is what?
- CLOV:
- What all is? In a word? Is that what
you want to know? Just a moment.
- (He turns the telescope on the
without, looks, lowers the telescope, turns towards Hamm.)
- Corpsed.
- (Pause.)
- Well? Content?
- HAMM:
- Look at the sea.
- CLOV:
- It's the same.
- HAMM:
- Look at the ocean!
- (Clov gets down, takes a few steps
towards window left, goes back for ladder, carries it over and sets it down
under window left, gets up on it, turns the telescope on the without, looks at
length. He starts, lowers the telescope, examines it, turns it again on the
without.)
- CLOV:
- Never seen anything like that!
- HAMM (anxious):
- What? A sail? A fin? Smoke?
- CLOV (looking):
- The light is sunk.
- HAMM (relieved):
- Pah! We all knew that.
- CLOV (looking):
- There was a bit left.
- HAMM:
- The base.
- CLOV (looking):
- Yes.
- HAMM:
- And now?
- CLOV (looking):
- All gone.
- HAMM:
- No gulls?
- CLOV (looking):
- Gulls!
- HAMM:
- And the horizon? Nothing on the
horizon?
- CLOV (lowering the
telescope, turning towards Hamm, exasperated):
- What in God's name could there be on
the horizon?
- (Pause.)
- HAMM:
- The waves, how are the waves?
- CLOV:
- The waves?
- (He turns the telescope on the
waves.)
- Lead.
- HAMM:
- And the sun?
- CLOV (looking):
- Zero.
- HAMM:
- But it should be sinking. Look again.
- CLOV (looking):
- Damn the sun.
- HAMM:
- Is is night already then?
- CLOV (looking):
- No.
- HAMM:
- Then what is it?
- CLOV (looking):
- Gray.
- (Lowering the telescope, turning
towards Hamm, louder.)
- Gray!
- (Pause. Still louder.)
- GRRAY!
- (Pause. He gets down, approaches
Hamm from behind, whispers in his ear.)
- HAMM (starting):
- Gray! Did I hear you say gray?
- CLOV:
- Light black. From pole to pole.
- HAMM:
- You exaggerate.
- (Pause.)
- Don't stay there, you give me the
shivers.
- (Clov returns to his place beside
the chair.)
- CLOV:
- Why this farce, day after day?
- HAMM:
- Routine. One never knows.
- (Pause.)
- Last night I saw inside my breast.
There was a big sore.
- CLOV:
- Pah! You saw your heart.
- HAMM:
- No, it was living.
- (Pause. Anguished.)
- Clov!
- CLOV:
- Yes.
- HAMM:
- What's happening?
- CLOV:
- Something is taking its course.
- (Pause.)
- HAMM:
- Clov!
- CLOV (impatiently):
- What is it?
- HAMM:
- We're not beginning to... to... mean
something?
- CLOV:
- Mean something! You and I, mean
something!
- (Brief laugh.)
- Ah that's a good one!
- HAMM:
- I wonder.
- (Pause.)
- Imagine if a rational being came back
to earth, wouldn't he be liable to get ideas into his head if he observed us
long enough.
- (Voice of rational being.)
- Ah, good, now I see what it is, yes,
now I understand what they're at!
- (Clov starts, drops the telescope
and begins to scratch his belly with both hands. Normal voice.)
- And without going so far as that, we
ourselves...
- (with emotion)
- ...we ourselves... at certain
moments...
- (Vehemently.)
- To think perhaps it won't all have
been for nothing!
- CLOV (anguished, scratching
himself):
- I have a flea!
- HAMM:
- A flea! Are there still fleas?
- CLOV:
- On me there's one.
- (Scratching.)
- Unless it's a crab louse.
- HAMM (very perturbed):
- But humanity might start from there
all over again! Catch him, for the love of God!
- CLOV:
- I'll go and get the powder.
- (Exit Clov.)
- HAMM:
- A flea! This is awful! What a day!
- (Enter Clov with a
sprinkling-tin.)
- CLOV:
- I'm back again, with the insecticide.
- HAMM:
- Let him have it!
- (Clov loosens the top of his
trousers, pulls it forward and shakes powder into the aperture. He stoops,
looks, waits, starts, frenziedly shakes more powder, stoops, looks,
waits.)
- CLOV:
- The bastard!
- HAMM:
- Did you get him?
- CLOV:
- Looks like it.
- (He drops the tin and adjusts his
trousers.)
- Unless he's laying doggo.
- HAMM:
- Laying! Lying, you mean. Unless he's
lying doggo.
- CLOV:
- Ah? One says lying? One doesn't say
laying?
- HAMM:
- Use your head, can't you. If he was
laying we'd be bitched.
- CLOV:
- Ah.
- (Pause.)
- What about that pee?
- HAMM:
- I'm having it.
- CLOV:
- Ah that's the spirit, that's the
spirit!
- (Pause.)
- HAMM (with ardour):
- Let's go from here, the two of us!
South! You can make a raft and the currents will carry us away, far away, to
other... mammals!
- CLOV:
- God forbid!
- HAMM:
- Alone, I'll embark alone! Get working
on that raft immediately. Tomorrow I'll be gone forever.
- CLOV (hastening towards
door):
- I'll start straight away.
- HAMM:
- Wait!
- (Clov halts.)
- Will there be sharks, do you think?
- CLOV:
- Sharks? I don't know. If there are
there will be.
- (He goes towards door.)
- HAMM:
- Wait!
- (Clov halts.)
- Is it not yet time for my pain-killer?
- CLOV (violently):
- No!
- (He goes towards door.)
- HAMM:
- Wait!
- (Clov halts.)
- How are your eyes?
- CLOV:
- Bad.
- HAMM:
- But you can see.
- CLOV:
- All I want.
- HAMM:
- How are your legs?
- CLOV:
- Bad.
- HAMM:
- But you can walk.
- CLOV:
- I come... and go.
- HAMM:
- In my house.
- (Pause. With prophetic relish.)
- One day you'll be blind like me.
You'll be sitting here, a speck in the void, in the dark, forever, like me.
- (Pause.)
- One day you'll say to yourself, I'm
tired, I'll sit down, and you'll go and sit down. Then you'll say, I'm hungry,
I'll get up and get something to eat. But you won't get up. You'll say, I
shouldn't have sat down, but since I have I'll sit on a little longer, then
I'll get up and get something to eat. But you won't get up and you won't get
anything to eat.
- (Pause.)
- You'll look at the wall a while, then
you'll say, I'll close my eyes, perhaps have a little sleep, after that I'll
feel better, and you'll close them. And when you open them again there'll be
no wall any more.
- (Pause.)
- Infinite emptiness will be all around
you, all the resurrected dead of all the ages wouldn't fill it, and there
you'll be like a little bit of grit in the middle of the steppe.
- (Pause.)
- Yes, one day you'll know what it is,
you'll be like me, except that you won't have anyone with you, because you
won't have had pity on anyone and because there won't be anyone left to have
pity on you.
- (Pause.)
- CLOV:
- It's not certain.
- (Pause.)
- And there's one thing you forgot.
- HAMM:
- Ah?
- CLOV:
- I can't sit down.
- HAMM (impatiently):
- Well you'll lie down then, what the
hell! Or you'll come to a standstill, simply stop and stand still, the way you
are now. One day you'll say, I'm tired, I'll stop. What does the attitude
matter?
- (Pause.)
- CLOV:
- So you all want me to leave you.
- HAMM:
- Naturally.
- CLOV:
- Then I'll leave you.
- HAMM:
- You can't leave us.
- CLOV:
- Then I won't leave you.
- (Pause.)
- HAMM:
- Why don't you finish us?
- (Pause.)
- I'll tell you the combination of the
cupboard if you promise to finish me.
- CLOV:
- I couldn't finish you.
- HAMM:
- Then you won't finish me.
- (Pause.)
- CLOV:
- I'll leave you, I have things to do.
- HAMM:
- Do you remember when you came here?
- CLOV:
- No. Too small, you told me.
- HAMM:
- Do you remember your father?
- CLOV (wearily):
- Same answer.
- (Pause.)
- You've asked me these questions
millions of times.
- HAMM:
- I love the old questions.
- (With fervour.)
- Ah the old questions, the old answers,
there's nothing like them!
- (Pause.)
- It was I was a father to you.
- CLOV:
- Yes.
- (He looks at Hamm fixedly.)
- You were that to me.
- HAMM:
- My house a home for you.
- CLOV:
- Yes.
- (He looks about him.)
- This was that for me.
- HAMM (proudly):
- But for me,
- (gesture towards himself)
- no father. But for Hamm,
- (gesture towards surroundings)
- no home.
- (Pause.)
- CLOV:
- I'll leave you.
- HAMM:
- Did you ever think of one thing?
- CLOV:
- Never.
- HAMM:
- That here we're down in a hole.
- (Pause.)
- But beyond the hills? Eh? Perhaps it's
still green. Eh?
- (Pause.)
- Flora! Pomona!
- (Ecstatically.)
- Ceres!
- (Pause.)
- Perhaps you won't need to go very far.
- CLOV:
- I can't go very far.
- (Pause.)
- I'll leave you.
- HAMM:
- Is my dog ready?
- CLOV:
- He lacks a leg.
- HAMM:
- Is he silky?
- CLOV:
- He's kind of a Pomeranian.
- HAMM:
- Go and get him.
- CLOV:
- He lacks a leg.
- HAMM:
- Go and get him!
- (Exit Clov.)
- We're getting on.
- (Enter Clov holding by one of its
three legs a black toy dog.)
- CLOV:
- Your dogs are here.
- (He hands the dog to Hamm who feels
it, fondles it.)
- HAMM:
- He's white, isn't he?
- CLOV:
- Nearly.
- HAMM:
- What do you mean, nearly? Is he white
or isn't he?
- CLOV:
- He isn't.
- (Pause.)
- HAMM:
- You've forgotten the sex.
- CLOV (vexed):
- But he isn't finished. The sex goes on
at the end.
- (Pause.)
- HAMM:
- You haven't put on his ribbon.
- CLOV (angrily):
- But he isn't finished, I tell you!
First you finish your dog and then you put on his ribbon!
- (Pause.)
- HAMM:
- Can he stand?
- CLOV:
- I don't know.
- HAMM:
- Try.
- (He hands the dog to Clov who
places it on the ground.)
- Well?
- CLOV:
- Wait!
- (He squats down and tries to get
the dog to stand on its three legs, fails, lets it go. The dog falls on its
side.)
- HAMM (impatiently):
- Well?
- CLOV:
- He's standing.
- HAMM (groping for the
dog):
- Where? Where is he?
- (Clov holds up the dog in a
standing position.)
- CLOV:
- There.
- (He takes Hamm's hand and guides it
towards the dog's head.)
- HAMM (his hand on the dog's
head):
- Is he gazing at me?
- CLOV:
- Yes.
- HAMM (proudly):
- As if he were asking me to take him
for a walk?
- CLOV:
- If you like.
- HAMM (as before):
- Or as if he were begging me for a
bone.
- (He withdraws his hand.)
- Leave him like that, standing there
imploring me.
- (Clov straightens up. The dog falls
on its side.)
- CLOV:
- I'll leave you.
- HAMM:
- Have you had your visions?
- CLOV:
- Less.
- HAMM:
- Is Mother Pegg's light on?
- CLOV:
- Light! How could anyone's light be on?
- HAMM:
- Extinguished!
- CLOV:
- Naturally it's extinguished. If it's
not on it's extinguished.
- HAMM:
- No, I mean Mother Pegg.
- CLOV:
- But naturally she's extinguished!
- (Pause.)
- What's the matter with you today?
- HAMM:
- I'm taking my course.
- (Pause.)
- Is she buried?
- CLOV:
- Buried! Who would have buried her?
- HAMM:
- You.
- CLOV:
- Me! Haven't I enough to do without
burying people?
- HAMM:
- But you'll bury me.
- CLOV:
- No I won't bury you.
- (Pause.)
- HAMM:
- She was bonny once, like a flower of
the field.
- (With reminiscent leer.)
- And a great one for the men!
- CLOV:
- We too were bonny---once. It's a rare
thing not to have been bonny---once.
- (Pause.)
- HAMM:
- Go and get the gaff.
- (Clov goes to the door, halts.)
- CLOV:
- Do this, do that, and I do it. I never
refuse. Why?
- HAMM:
- You're not able to.
- CLOV:
- Soon I won't do it any more.
- HAMM:
- You won't be able to any more.
- (Exit Clov.)
- Ah the creatures, the creatures,
everything has to be explained to them.
- (Enter Clov with gaff.)
- CLOV:
- Here's your gaff. Stick it up.
- (He gives the gaff to Hamm who,
wielding it like a puntpole, tries to move his chair.)
- HAMM:
- Did I move?
- CLOV:
- No.
- (Hamm throws down the gaff.)
- HAMM:
- Go and get the oilcan.
- CLOV:
- What for?
- HAMM:
- To oil the castors.
- CLOV:
- I oiled them yesterday.
- HAMM:
- Yesterday! What does that mean?
Yesterday!
- CLOV (violently):
- That means that bloody awful day, long
ago, before this bloody awful day. I use the words you taught me. If they
don't mean anything any more, teach me others. Or let me be silent.
- (Pause.)
- HAMM:
- I once knew a madman who thought the
end of the world had come. He was a painter---and engraver. I had a great
fondness for him. I used to go and see him, in the asylum. I'd take him by the
hand and drag him to the window. Look! There! All that rising corn! And there!
Look! The sails of the herring fleet! All that loveliness!
- (Pause.)
- He'd snatch away his hand and go back
into his corner. Appalled. All he had seen was ashes.
- (Pause.)
- He alone had been spared.
- (Pause.)
- Forgotten.
- (Pause.)
- It appears the case is... was not
so... so unusual.
- CLOV:
- A madman? When was that?
- HAMM:
- Oh way back, way back, you weren't in
the land of the living.
- CLOV:
- God be with those days.
- (Pause. Hamm raises his toque.)
- HAMM:
- I had a great fondness for him.
- (Pause. He puts on his toque
again.)
- He was a painter---and engraver.
- CLOV:
- There are so many terrible things.
- HAMM:
- No, no, there are not so many now.
- (Pause.)
- Clov!
- CLOV:
- Yes.
- HAMM:
- Do you not think this has gone on long
enough?
- CLOV:
- Yes!
- (Pause.)
- What?
- HAMM:
- This... this... thing.
- CLOV:
- I've always thought so.
- (Pause.)
- You not?
- HAMM (gloomily):
- Then it's a day like any other day.
- CLOV:
- As long as it lasts.
- (Pause.)
- All life long the same inanities.
- HAMM:
- I can't leave you.
- CLOV:
- I know. And you can't follow me.
- (Pause.)
- HAMM:
- If you leave me how shall I know?
- CLOV (briskly):
- Well you simply whistle me and if I
don't come running it means I've left you.
- (Pause.)
- HAMM:
- You won't come and kiss me goodbye?
- CLOV:
- Oh I shouldn't think so.
- (Pause.)
- HAMM:
- But you might be merely dead in your
kitchen.
- CLOV:
- The result would be the same.
- HAMM:
- Yes, but how would I know, if you were
merely dead in your kitchen?
- CLOV:
- Well... sooner or later I'd start to
stink.
- HAMM:
- You stink already. The whole place
stinks of corpses.
- CLOV:
- The whole universe.
- HAMM (angrily):
- To hell with the universe.
- (Pause.)
- Think of something.
- CLOV:
- What?
- HAMM:
- An idea, have an idea.
- (Angrily.)
- A bright idea!
- CLOV:
- Ah good.
- (He starts pacing to and fro, his
eyes fixed on the ground, his hands behind his back. He halts.)
- The pains in my legs! It's
unbelievable! Soon I won't be able to think any more.
- HAMM:
- You won't be able to leave me.
- (Clov resumes his pacing.)
- What are you doing?
- CLOV:
- Having an idea.
- (He paces.)
- Ah!
- (He halts.)
- HAMM:
- What a brain!
- (Pause.)
- Well?
- CLOV:
- Wait!
- (He meditates. Not very
convinced.)
- Yes...
- (He raises his head.)
- I have it! I set the alarm.
- (Pause.)
- HAMM:
- This is perhaps not one of my bright
days, but frankly---
- CLOV:
- You whistle me. I don't come. The
alarm rings. I'm gone. It doesn't ring. I'm dead.
- (Pause.)
- HAMM:
- Is it working?
- (Pause. Impatiently.)
- The alarm, is it working?
- CLOV:
- Why wouldn't it be working?
- HAMM:
- Because it's worked too much.
- CLOV:
- But it's hardly worked at all.
- HAMM (angrily):
- Then because it's worked too little!
- CLOV:
- I'll go and see.
- (Exit Clov. Brief ring of alarm
offstage. Enter Clov with alarm-clock. He holds it against Hamm's ear and
releases alarm. They listen to it ringing to the end. Pause.)
- Fit to wake the dead! Did you hear it?
- HAMM:
- Vaguely.
- CLOV:
- The end is terrific!
- HAMM:
- I prefer the middle.
- (Pause.)
- Is is not time for my pain-killer?
- CLOV:
- No!
- (He goes to door, turns.)
- I'll leave you.
- HAMM:
- It's time for my story. Do you want to
listen to my story?
- CLOV:
- No.
- HAMM:
- Ask my father if he wants to listen to
my story.
- (Clov goes to bins, raises the lid
of Nagg's, stoops, looks into it. Pause. He straightens up.)
- CLOV:
- He's asleep.
- HAMM:
- Wake him.
- (Clov stoops, wakes Nagg with the
alarm. Unintelligible words. Clov straightens up.)
- CLOV:
- He doesn't want to listen to your
story.
- HAMM:
- I'll give him a bon-bon.
- (Clov stoops. As before.)
- CLOV:
- He wants a sugar-plum.
- HAMM:
- He'll get a sugar-plum.
- (Clov stoops. As before.)
- CLOV:
- It's a deal.
- (He goes towards door. Nagg's hands
appear, gripping the rim. Then the head emerges. Clov reaches door,
turns.)
- Do you believe in the life to come?
- HAMM:
- Mine was always that.
- (Exit Clov.)
- Got him that time!
- NAGG:
- I'm listening.
- HAMM:
- Scoundrel! Why did you engender me?
- NAGG:
- I didn't know.
- HAMM:
- What? What didn't you know?
- NAGG:
- That it'd be you.
- (Pause.)
- You'll give me a sugar-plum?
- HAMM:
- After the audition.
- NAGG:
- You swear?
- HAMM:
- Yes.
- NAGG:
- On what?
- HAMM:
- My honor.
- (Pause. They laugh heartily.)
- NAGG:
- Two.
- HAMM:
- One.
- NAGG:
- One for me and one for---
- HAMM:
- One! Silence!
- (Pause.)
- Where was I?
- (Pause. Gloomily.)
- It's finished, we're finished.
- (Pause.)
- Nearly finished.
- (Pause.)
- There'll be no more speech.
- (Pause.)
- Something dripping in my head, ever
since the fontanelles.
- (Stifled hilarity of Nagg.)
- Splash, splash, always on the same
spot.
- (Pause.)
- Perhaps it's a little vein.
- (Pause.)
- A little artery.
- (Pause. More animated.)
- Enough of that, it's story time, where
was I?
- (Pause. Narrative tone.)
- The man came crawling towards me, on
his belly. Pale, wonderfully pale and thin, he seemed on the point of---
- (Pause. Normal tone.)
- No, I've done that bit.
- (Pause. Narrative tone.)
- I calmly filled my pipe---the
meerschaum, lit it with... let us say a vesta, drew a few puffs. Aah!
- (Pause.)
- Well, what is it you want?
- (Pause.)
- It was an extra-ordinarily bitter day,
I remember, zero by the thermometer. But considering it was Christmas Eve
there was nothing... extra-ordinary about that. Seasonable weather, for once
in a way.
- (Pause.)
- Well, what ill wind blows you my way?
He raised his face to me, black with mingled dirt and tears.
- (Pause. Normal tone.)
- That should do it.
- (Narrative tone.)
- No no, don't look at me, don't look at
me. He dropped his eyes and mumbled something, apologies I presume.
- (Pause.)
- I'm a busy man, you know, the final
touches, before the festivities, you know what it is.
- (Pause. Forcibly.)
- Come on now, what is the object of
this invasion?
- (Pause.)
- It was a glorious bright day, I
remember, fifty by the heliometer, but already the sun was sinking down into
the... down among the dead.
- (Normal voice.)
- Nicely put, that.
- (Narrative tone.)
- Come on now, come on, present your
petition and let me resume my labors.
- (Pause. Normal tone.)
- There's English for you. Ah well...